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The High Note

The High Note

Romance · Comedy · Music · 2020

Set in the dazzling world of the LA music scene comes the story of Grace Davis, a superstar whose talent, and ego, have reached unbelievable heights. Maggie is Grace’s overworked personal assistant who’s stuck running errands, but still aspires to her childhood dream of becoming a music producer. When Grace’s manager presents her with a choice that could alter the course of her career, Maggie and Grace come up with a plan that could change their lives forever.

Movie details

The High Note

“You've got to start at the bottom before you take it from the top.”

2020 Romance · Comedy · Music 1h 53m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Set in the dazzling world of the LA music scene comes the story of Grace Davis, a superstar whose talent, and ego, have reached unbelievable heights. Maggie is Grace’s overworked personal assistant who’s stuck running errands, but still aspires to her childhood dream of becoming a music producer. When Grace’s manager presents her with a choice that could alter the course of her career, Maggie and Grace come up with a plan that could change their lives forever.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The High Note?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Nisha Ganatra

Written by

Flora Greeson

Dakota Johnson

Dakota Johnson

Maggie Sherwoode

Tracee Ellis Ross

Tracee Ellis Ross

Grace Davis

Ice Cube

Ice Cube

Jack Robertson

Kelvin Harrison Jr.

Kelvin Harrison Jr.

David Cliff

Bill Pullman

Bill Pullman

Max

June Diane Raphael

June Diane Raphael

Gail

Eugene Cordero

Eugene Cordero

Seth

Court is in session

Put The High Note on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.