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LOL

LOL

Drama · Comedy · Romance · 2012

In a world connected by YouTube, iTunes, and Facebook, Lola and her friends navigate the peer pressures of high school romance and friendship while dodging their sometimes overbearing and confused parents. When Lola's mom, Anne, "accidentally" reads her teenage daughter's racy journal, she realizes just how wide their communication gap has grown.

Movie details

LOL

“You can change your status, but not your heart.”

2012 Drama · Comedy · Romance 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

In a world connected by YouTube, iTunes, and Facebook, Lola and her friends navigate the peer pressures of high school romance and friendship while dodging their sometimes overbearing and confused parents. When Lola's mom, Anne, "accidentally" reads her teenage daughter's racy journal, she realizes just how wide their communication gap has grown.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over LOL?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Angus, Thongs and Perfect Snogging

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The Meddler

The Meddler

Comedy · 2016

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Bridget Jones: Mad About the Boy

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Only the Lonely

Comedy · 1991

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Where it lives

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Names above the title

The people responsible.

Directed by

Lisa Azuelos

Written by

Lisa Azuelos · Kamir Aïnouz

Miley Cyrus

Miley Cyrus

Lola Williams

Demi Moore

Demi Moore

Anne Williams

Douglas Booth

Douglas Booth

Kyle Ross

Ashley Greene

Ashley Greene

Ashley

Ashley Hinshaw

Ashley Hinshaw

Emily

Thomas Jane

Thomas Jane

Allen Williams

Nora Dunn

Nora Dunn

Emily's Mom

Court is in session

Put LOL on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.