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Bridget Jones: Mad About the Boy

Bridget Jones: Mad About the Boy

Romance · Comedy · Drama · 2025

Bridget Jones navigates life as a widow and single mum with the help of her family, friends, and former lover, Daniel. Back to work and on the apps, she's pursued by a younger man and maybe – just maybe – her son's science teacher.

Movie details

Bridget Jones: Mad About the Boy

“She's starting a new chapter. Just as she is.”

2025 Romance · Comedy · Drama 2h 4m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Bridget Jones navigates life as a widow and single mum with the help of her family, friends, and former lover, Daniel. Back to work and on the apps, she's pursued by a younger man and maybe – just maybe – her son's science teacher.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Bridget Jones: Mad About the Boy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Michael Morris

Written by

Helen Fielding · Dan Mazer · Abi Morgan

Renée Zellweger

Renée Zellweger

Bridget Jones

Chiwetel Ejiofor

Chiwetel Ejiofor

Scott Walliker

Leo Woodall

Leo Woodall

Roxby 'Roxster' McDuff

Hugh Grant

Hugh Grant

Daniel Cleaver

Jim Broadbent

Jim Broadbent

Colin Jones

Gemma Jones

Gemma Jones

Pamela Jones

Colin Firth

Colin Firth

Mark Darcy

Court is in session

Put Bridget Jones: Mad About the Boy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.