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Monster-in-Law

Monster-in-Law

Romance · Comedy · 2005

Office temp Charlotte Cantilini thinks she's found Mr. Right when she starts dating gorgeous surgeon Dr. Kevin Fields. But there's a problem standing in the way of everlasting bliss: Kevin's overbearing and controlling mother, Viola. Fearing she'll lose her son's affections forever, Viola decides to break up the happy couple by becoming the world's worst mother-in-law.

Movie details

Monster-in-Law

“This relationship is going to be a real mother.”

2005 Romance · Comedy 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Office temp Charlotte Cantilini thinks she's found Mr. Right when she starts dating gorgeous surgeon Dr. Kevin Fields. But there's a problem standing in the way of everlasting bliss: Kevin's overbearing and controlling mother, Viola. Fearing she'll lose her son's affections forever, Viola decides to break up the happy couple by becoming the world's worst mother-in-law.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Monster-in-Law?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Robert Luketic

Written by

Anya Kochoff

Jennifer Lopez

Jennifer Lopez

Charlie

Jane Fonda

Jane Fonda

Viola Fields

Michael Vartan

Michael Vartan

Dr. Kevin Fields

Wanda Sykes

Wanda Sykes

Ruby

Adam Scott

Adam Scott

Remy

Monet Mazur

Monet Mazur

Fiona

Annie Parisse

Annie Parisse

Morgan

Court is in session

Put Monster-in-Law on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.