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The Wedding Planner

The Wedding Planner

Comedy · Romance · 2001

San Francisco's premiere wedding planner, Mary Fiore is rescued from an accident by the man of her dreams, pediatrician Steve Edison, only to find he is the fiancé of her latest client. As Mary continues making their wedding arrangements, she and Steve are put into a string of uncomfortable situations that force them to face their mutual attraction.

Movie details

The Wedding Planner

“A romantic comedy about love, destiny and other events you just can't plan for.”

2001 Comedy · Romance 1h 43m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

San Francisco's premiere wedding planner, Mary Fiore is rescued from an accident by the man of her dreams, pediatrician Steve Edison, only to find he is the fiancé of her latest client. As Mary continues making their wedding arrangements, she and Steve are put into a string of uncomfortable situations that force them to face their mutual attraction.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Wedding Planner?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Wedding Crashers

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Comedy · 2005

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Comedy · 1991

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Names above the title

The people responsible.

Directed by

Adam Shankman

Written by

Pamela Falk · Michael Ellis

Jennifer Lopez

Jennifer Lopez

Mary Fiore

Matthew McConaughey

Matthew McConaughey

Steve Edison

Justin Chambers

Justin Chambers

Massimo

Joanna Gleason

Joanna Gleason

Mrs. Donolly

Lou Myers

Lou Myers

Burt Weinberg

Kathy Najimy

Kathy Najimy

Geri

Charles Kimbrough

Charles Kimbrough

Mr. Donolly

Court is in session

Put The Wedding Planner on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.