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Runaway Bride

Runaway Bride

Comedy · Romance · 1999

Having already left three grooms at the altar, Maggie Carpenter is branded "the runaway bride" by jaded New York journalist Ike Graham. But, after his facts are called into question, Ike races to Maggie's hometown to save his reputation and report on her upcoming fourth trip down the aisle – during which he's convinced she'll run again. Though he's there on a muckraking mission, Ike can't help but fall for this breathtaking heartbreaker.

Movie details

Runaway Bride

“Catch her if you can.”

1999 Comedy · Romance 1h 56m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

Having already left three grooms at the altar, Maggie Carpenter is branded "the runaway bride" by jaded New York journalist Ike Graham. But, after his facts are called into question, Ike races to Maggie's hometown to save his reputation and report on her upcoming fourth trip down the aisle – during which he's convinced she'll run again. Though he's there on a muckraking mission, Ike can't help but fall for this breathtaking heartbreaker.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Runaway Bride?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Garry Marshall

Written by

Josann McGibbon · Sara Parriott

Julia Roberts

Julia Roberts

Maggie Carpenter

Richard Gere

Richard Gere

Ike Graham

Joan Cusack

Joan Cusack

Peggy Flemming

Héctor Elizondo

Héctor Elizondo

Fisher

Rita Wilson

Rita Wilson

Ellie Graham

Paul Dooley

Paul Dooley

Walter Carpenter

Christopher Meloni

Christopher Meloni

Coach Bob Kelly

Court is in session

Put Runaway Bride on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.