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The Switch

The Switch

Comedy · Romance · Drama · 2010

Kassie is a smart, fun-loving single woman who, despite her neurotic best friend Wally’s objections, decides it’s time to have a baby – even if it means doing it herself… with a little help from a charming sperm donor. But, unbeknownst to her, Kassie’s plans go awry because of a last-minute switch that isn’t discovered until seven years later… when Wally gets acquainted with Kassie’s cute, though slightly neurotic, son.

Movie details

The Switch

“The most unexpected comedy ever conceived.”

2010 Comedy · Romance · Drama 1h 41m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Kassie is a smart, fun-loving single woman who, despite her neurotic best friend Wally’s objections, decides it’s time to have a baby – even if it means doing it herself… with a little help from a charming sperm donor. But, unbeknownst to her, Kassie’s plans go awry because of a last-minute switch that isn’t discovered until seven years later… when Wally gets acquainted with Kassie’s cute, though slightly neurotic, son.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Switch?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Will Speck · Josh Gordon

Written by

Allan Loeb

Jennifer Aniston

Jennifer Aniston

Kassie Larson

Jason Bateman

Jason Bateman

Wally Mars

Patrick Wilson

Patrick Wilson

Roland

Thomas Robinson

Thomas Robinson

Sebastian

Jeff Goldblum

Jeff Goldblum

Leonard

Juliette Lewis

Juliette Lewis

Debbie

Victor Pagan

Victor Pagan

Knit Hat Guy

Court is in session

Put The Switch on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.