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For Keeps

For Keeps

Comedy · Drama · Romance · 1988

Young high school couple Darcy Elliot and Stan Bobrucz are one year from graduation, with promising futures ahead of them. But their paths take a drastic turn when Darcy becomes pregnant. Unwilling to go through an abortion or an adoption — despite their parents' pleas — Darcy and Stan decide to sacrifice their college experiences and degrees in order to keep and raise the baby. After a quick marriage, the two realize it won't be as easy as they thought.

Movie details

For Keeps

“"You're what?!"”

1988 Comedy · Drama · Romance 1h 38m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Young high school couple Darcy Elliot and Stan Bobrucz are one year from graduation, with promising futures ahead of them. But their paths take a drastic turn when Darcy becomes pregnant. Unwilling to go through an abortion or an adoption — despite their parents' pleas — Darcy and Stan decide to sacrifice their college experiences and degrees in order to keep and raise the baby. After a quick marriage, the two realize it won't be as easy as they thought.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over For Keeps?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John G. Avildsen

Written by

Denise DeClue · Tim Kazurinsky

Molly Ringwald

Molly Ringwald

Darcy Elliot Bobrucz

Randall Batinkoff

Randall Batinkoff

Stan Bobrucz

Kenneth Mars

Kenneth Mars

Mr. Bobrucz

Miriam Flynn

Miriam Flynn

Donna Elliot

Conchata Ferrell

Conchata Ferrell

Mrs. Bobrucz

Sharon Brown

Sharon Brown

Lila

John Zarchen

John Zarchen

Chris

Court is in session

Put For Keeps on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.