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Son in Law

Son in Law

Comedy · Drama · Romance · 1993

Country girl Rebecca has spent most of her life on a farm in South Dakota, and, when she goes away to college in Los Angeles, Rebecca immediately feels out of place in the daunting urban setting. She is befriended by a savvy party animal named Crawl, who convinces the ambivalent Rebecca to stay in the city. When Thanksgiving break rolls around, Rebecca, no longer an innocent farm girl, invites Crawl back to South Dakota, where he pretends to be her fiancé.

Movie details

Son in Law

“He's a relative nightmare.”

1993 Comedy · Drama · Romance 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Country girl Rebecca has spent most of her life on a farm in South Dakota, and, when she goes away to college in Los Angeles, Rebecca immediately feels out of place in the daunting urban setting. She is befriended by a savvy party animal named Crawl, who convinces the ambivalent Rebecca to stay in the city. When Thanksgiving break rolls around, Rebecca, no longer an innocent farm girl, invites Crawl back to South Dakota, where he pretends to be her fiancé.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Son in Law?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Steve Rash

Written by

Patrick J. Clifton · Shawn Schepps · Adam Small · Fax Bahr

Pauly Shore

Pauly Shore

Crawl

Carla Gugino

Carla Gugino

Rebecca Warner

Lane Smith

Lane Smith

Walter Warner

Tiffani Thiessen

Tiffani Thiessen

Tracy

Cindy Pickett

Cindy Pickett

Connie Warner

Mason Adams

Mason Adams

Walter Warner Sr.

Patrick Renna

Patrick Renna

Zack Warner

Court is in session

Put Son in Law on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.