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The Cutting Edge: Fire & Ice

The Cutting Edge: Fire & Ice

Romance · Drama · 2010

After her partner's career-ending injury, a former figure skater shifts gears to become an instructor. Later, she finds the strength to return to competitive skating by partnering with an unconventional and notorious speed skater.

Movie details

The Cutting Edge: Fire & Ice

2010 Romance · Drama 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

After her partner's career-ending injury, a former figure skater shifts gears to become an instructor. Later, she finds the strength to return to competitive skating by partnering with an unconventional and notorious speed skater.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Cutting Edge: Fire & Ice?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Stephen Herek

Written by

Holly Brix

Francia Raísa

Francia Raísa

Alexandra 'Alex' Delgado

Brendan Fehr

Brendan Fehr

James McKinsey

Russell Yuen

Russell Yuen

Mr. Wan

Z

Zhenhu Han

Zhen Zheng

Stephen Amell

Stephen Amell

Philip Seaver

Marcela Pizarro

Marcela Pizarro

Alex's Mom

Anthony Lemke

Anthony Lemke

James Agent

Court is in session

Put The Cutting Edge: Fire & Ice on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.