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Sweet November

Sweet November

Drama · Romance · 2001

Nelson is a man devoted to his advertising career in San Francisco. One day, while taking a driving test at the DMV, he meets Sara. She is very different from the other women in his life. Nelson causes her to miss out on taking the test and later that day she tracks him down. One thing leads to another and Nelson ends up living with her through a November that will change his life forever.

Movie details

Sweet November

“She Just Needed A Month To Change His Life Forever.”

2001 Drama · Romance 1h 59m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Nelson is a man devoted to his advertising career in San Francisco. One day, while taking a driving test at the DMV, he meets Sara. She is very different from the other women in his life. Nelson causes her to miss out on taking the test and later that day she tracks him down. One thing leads to another and Nelson ends up living with her through a November that will change his life forever.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Sweet November?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Pat O'Connor

Written by

Kurt Voelker · Paul Yurick

Keanu Reeves

Keanu Reeves

Nelson Moss

Charlize Theron

Charlize Theron

Sara Deever

Jason Isaacs

Jason Isaacs

Chaz Watley

Greg Germann

Greg Germann

Vince Holland

Lauren Graham

Lauren Graham

Angelica

Michael Rosenbaum

Michael Rosenbaum

Brandon / Brandy

Frank Langella

Frank Langella

Edgar Price

Court is in session

Put Sweet November on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.