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Footloose

Footloose

Drama · Music · Romance · 2011

Ren MacCormack is transplanted from Boston to the small southern town of Bomont where loud music and dancing are prohibited. Not one to bow to the status quo, Ren challenges the ban, revitalizing the town and falling in love with the minister’s troubled daughter Ariel in the process.

Movie details

Footloose

“There comes a time to cut loose”

2011 Drama · Music · Romance 1h 53m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Ren MacCormack is transplanted from Boston to the small southern town of Bomont where loud music and dancing are prohibited. Not one to bow to the status quo, Ren challenges the ban, revitalizing the town and falling in love with the minister’s troubled daughter Ariel in the process.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Footloose?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.

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Where it lives

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Names above the title

The people responsible.

Directed by

Craig Brewer

Written by

Craig Brewer · Dean Pitchford

Dennis Quaid

Dennis Quaid

Rev. Shaw Moore

Kenny Wormald

Kenny Wormald

Ren MacCormack

Julianne Hough

Julianne Hough

Ariel Moore

Andie MacDowell

Andie MacDowell

Vi Moore

Miles Teller

Miles Teller

Willard Hewitt

Ray McKinnon

Ray McKinnon

Wes Warnicker

Patrick John Flueger

Patrick John Flueger

Chuck Cranston

Court is in session

Put Footloose on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.