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The Greatest Show on Earth

The Greatest Show on Earth

Drama · Romance · 1952

To ensure a full profitable season, circus manager Brad Braden engages The Great Sebastian, though this moves his girlfriend Holly from her hard-won center trapeze spot. Holly and Sebastian begin a dangerous one-upmanship duel in the ring, while he pursues her on the ground.

Movie details

The Greatest Show on Earth

“The Heartbeat Story of Circus People, Filmed with the Cooperation of Ringling Bros. - Barnum and Bailey Circus!”

1952 Drama · Romance 2h 32m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

To ensure a full profitable season, circus manager Brad Braden engages The Great Sebastian, though this moves his girlfriend Holly from her hard-won center trapeze spot. Holly and Sebastian begin a dangerous one-upmanship duel in the ring, while he pursues her on the ground.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Greatest Show on Earth?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Cecil B. DeMille

Written by

Fredric M. Frank · Theodore St. John · Barré Lyndon · Frank Cavett

Betty Hutton

Betty Hutton

Holly

Cornel Wilde

Cornel Wilde

The Great Sebastian

Charlton Heston

Charlton Heston

Brad Braden

Dorothy Lamour

Dorothy Lamour

Phyllis

Gloria Grahame

Gloria Grahame

Angel

James Stewart

James Stewart

Buttons

Henry Wilcoxon

Henry Wilcoxon

Agent Gregory

Court is in session

Put The Greatest Show on Earth on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.