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Trapeze

Trapeze

Drama · Romance · 1956

A pair of men try to perform the dangerous "triple" in their trapeze act. Problems arise when the duo is made into a trio following the addition of a sexy female performer.

Movie details

Trapeze

“High...High...High...Above Them All! - in excitement! - in spectacle! - in fire, flesh and fury!”

1956 Drama · Romance 1h 45m

Critical arithmetic

The consensus, allegedly.

IMDb

6.8 / 10

5.5K votes

Rotten Tomatoes

75 %

Tomatometer

TMDB

6.3 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A pair of men try to perform the dangerous "triple" in their trapeze act. Problems arise when the duo is made into a trio following the addition of a sexy female performer.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Trapeze?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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One from the Heart

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Carol Reed

Written by

James R. Webb · Ben Hecht · Wolf Mankowitz

Burt Lancaster

Burt Lancaster

Mike Ribble

Tony Curtis

Tony Curtis

Tino Orsini

Gina Lollobrigida

Gina Lollobrigida

Lola

Katy Jurado

Katy Jurado

Rosa

Thomas Gomez

Thomas Gomez

Bouglione

Johnny Puleo

Johnny Puleo

Max

Minor Watson

Minor Watson

John Ringling North

Court is in session

Put Trapeze on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.