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At First Sight

At First Sight

Drama · Romance · 1999

A blind man has an operation to regain his sight at the urging of his girlfriend and must deal with the changes to his life.

Movie details

At First Sight

“Science gave him sight. She gave him vision.”

1999 Drama · Romance 2h 8m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

A blind man has an operation to regain his sight at the urging of his girlfriend and must deal with the changes to his life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over At First Sight?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Sweet November

Sweet November

Drama · 2001

Nelson is a man devoted to his advertising career in San Francisco. One day, while taking a driving test at the DMV, he meets Sara. She is very different from the other women in his life. Nelson causes her to miss out on taking the test and later that day she tracks him down. One thing leads to another and Nelson ends up living with her through a November that will change his life forever.

Where it lives

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Names above the title

The people responsible.

Directed by

Irwin Winkler

Written by

Steve Levitt · Oliver Sacks

Val Kilmer

Val Kilmer

Virgil Adamson

Mira Sorvino

Mira Sorvino

Amy Benic

Kelly McGillis

Kelly McGillis

Jennie Adamson

Steven Weber

Steven Weber

Duncan Allanbrook

Bruce Davison

Bruce Davison

Dr. Charles Aaron

Nathan Lane

Nathan Lane

Phil Webster

Ken Howard

Ken Howard

Virgil's Father

Court is in session

Put At First Sight on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.