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Veronika Decides to Die

Veronika Decides to Die

Drama · Romance · 2009

After a frantic suicide attempt, Veronika awakens inside a mysterious mental asylum. Under the supervision of an unorthodox psychiatrist who specializes in controversial treatment, Veronika learns that she has only weeks to live.

Movie details

Veronika Decides to Die

“For Veronika, confronting death... is discovering life.”

2009 Drama · Romance 1h 43m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

After a frantic suicide attempt, Veronika awakens inside a mysterious mental asylum. Under the supervision of an unorthodox psychiatrist who specializes in controversial treatment, Veronika learns that she has only weeks to live.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Veronika Decides to Die?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Emily Young

Written by

Larry Gross

Sarah Michelle Gellar

Sarah Michelle Gellar

Veronika

David Thewlis

David Thewlis

Dr. Blake

Jonathan Tucker

Jonathan Tucker

Edward

Erika Christensen

Erika Christensen

Claire

Melissa Leo

Melissa Leo

Mari

Erica Gimpel

Erica Gimpel

Nurse White

Waleed Zuaiter

Waleed Zuaiter

Lecturer

Court is in session

Put Veronika Decides to Die on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.