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The Saint of Fort Washington

The Saint of Fort Washington

Drama · 1993

Matthew, a young schizophrenic, finds himself out on the street when a slumlord tears down his apartment building. Soon, he finds himself in even more dire straits, when he is threatened by Little Leroy, a thug who is one of the tough denizens of the Fort Washington Shelter for Men. He reaches out to Jerry, a streetwise combat veteran, who takes Matthew under his wing as a son. The relationship between these two men grows as they attempt to conquer the numbing isolation of homelessness.

Movie details

The Saint of Fort Washington

1993 Drama 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

Matthew, a young schizophrenic, finds himself out on the street when a slumlord tears down his apartment building. Soon, he finds himself in even more dire straits, when he is threatened by Little Leroy, a thug who is one of the tough denizens of the Fort Washington Shelter for Men. He reaches out to Jerry, a streetwise combat veteran, who takes Matthew under his wing as a son. The relationship between these two men grows as they attempt to conquer the numbing isolation of homelessness.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Saint of Fort Washington?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tim Hunter

Written by

Lyle Kessler

Danny Glover

Danny Glover

Jerry

Matt Dillon

Matt Dillon

Matthew

Rick Aviles

Rick Aviles

Rosario

Nina Siemaszko

Nina Siemaszko

Tamsen, la fille de Rosario

Ving Rhames

Ving Rhames

Little Leroy

Adam Trese

Adam Trese

John

Joe Seneca

Joe Seneca

Spits

Court is in session

Put The Saint of Fort Washington on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.