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Personal Velocity

Personal Velocity

Drama · 2002

In a series of three vignettes, three women in turn struggle to free themselves from the men who restrict their personal freedom.

Movie details

Personal Velocity

“Three portraits.”

2002 Drama 1h 26m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

In a series of three vignettes, three women in turn struggle to free themselves from the men who restrict their personal freedom.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Personal Velocity?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Dream Lover

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Not long after they cross paths at an art gallery, architect Ray Reardon and hypnotically sensual Lena are married with children. But as strange incidents occur, Ray begins to realize he may not really know the woman he married.

Where it lives

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Names above the title

The people responsible.

Directed by

Rebecca Miller

Written by

Rebecca Miller

Kyra Sedgwick

Kyra Sedgwick

Delia Shunt

Parker Posey

Parker Posey

Greta Herskowitz

Fairuza Balk

Fairuza Balk

Paula

John Ventimiglia

John Ventimiglia

Narrator (voice)

Ron Leibman

Ron Leibman

Avram Herskowitz

Wallace Shawn

Wallace Shawn

Mr. Gelb

David Warshofsky

David Warshofsky

Kurt Wurtzle

Court is in session

Put Personal Velocity on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.