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On the Edge

On the Edge

Drama · Romance · 2001

A suicidal young man is committed to a Dublin psychiatric hospital where he meets new friends who greatly influence his life.

Movie details

On the Edge

“A joyride through sex, love, and other activities.”

2001 Drama · Romance 1h 25m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

A suicidal young man is committed to a Dublin psychiatric hospital where he meets new friends who greatly influence his life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over On the Edge?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Ashes in the Snow

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Vivien, an accomplished student with a passion for physics, and Roy, a troubled young man, are involved in an accident that forces them to reclaim their lives one minute at the time.

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Moonlight Mile

Moonlight Mile

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As he copes with the death of his fiancee along with her parents, a young man must figure out what he wants out of life.

Winter Spring Summer or Fall

Winter Spring Summer or Fall

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Fire with Fire

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Wander Darkly

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My Policeman

My Policeman

Drama · 2022

In the late 1990s, the arrival of elderly invalid Patrick into Marion and Tom’s home triggers the exploration of seismic events from 40 years previous: the passionate relationship between Tom and Patrick at a time when homosexuality was illegal.

Where it lives

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Names above the title

The people responsible.

Directed by

John Carney

Written by

Daniel James · John Carney

Cillian Murphy

Cillian Murphy

Jonathan Breech

M

Martin Carney

Priest

Paul Hickey

Paul Hickey

Mikey

C

Camille O'Sullivan

Mikey's Wife

Vincent Walsh

Vincent Walsh

Bouncer

V

Vinny Murphy

Bouncer

Mary Murray

Mary Murray

Maria

Court is in session

Put On the Edge on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.