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Niagara

Niagara

Crime · Thriller · 1953

Rose Loomis and her older, gloomier husband, George, are vacationing at a cabin in Niagara Falls. The couple befriend Polly and Ray Cutler, who are honeymooning in the area. Polly begins to suspect that something is amiss between Rose and George, and her suspicions grow when she sees Rose in the arms of another man. While Ray initially thinks Polly is overreacting, things between George and Rose soon take a shockingly dark turn.

Movie details

Niagara

“A raging torrent of emotion that even nature can't control!”

1953 Crime · Thriller 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Rose Loomis and her older, gloomier husband, George, are vacationing at a cabin in Niagara Falls. The couple befriend Polly and Ray Cutler, who are honeymooning in the area. Polly begins to suspect that something is amiss between Rose and George, and her suspicions grow when she sees Rose in the arms of another man. While Ray initially thinks Polly is overreacting, things between George and Rose soon take a shockingly dark turn.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Niagara?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Henry Hathaway

Written by

Charles Brackett · Walter Reisch · Richard L. Breen

Marilyn Monroe

Marilyn Monroe

Rose Loomis

Joseph Cotten

Joseph Cotten

George Loomis

Jean Peters

Jean Peters

Polly Cutler

Max Showalter

Max Showalter

Ray Cutler

Denis O'Dea

Denis O'Dea

Inspector Starkey

Richard Allan

Richard Allan

Patrick

Don Wilson

Don Wilson

Mr. J.C. Kettering

Court is in session

Put Niagara on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.