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Killer's Kiss

Killer's Kiss

Thriller · Crime · Drama · 1955

Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.

Movie details

Killer's Kiss

“Her Soft Mouth Was The Road To Sin-Smeared Violence!”

1955 Thriller · Crime · Drama 1h 8m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Killer's Kiss?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Stanley Kubrick

Written by

Howard Sackler · Stanley Kubrick

Frank Silvera

Frank Silvera

Vincent Rapallo

J

Jamie Smith

Davy Gordon

Irene Kane

Irene Kane

Gloria Price

J

Jerry Jarrett

Albert

M

Mike Dana

Gangster

Felice Orlandi

Felice Orlandi

Gangster

S

Shaun O'Brien

Landlord

Court is in session

Put Killer's Kiss on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.