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Cul-de-sac

Cul-de-sac

Thriller · Comedy · Crime · 1966

On the run and in search of help, two wounded gangsters find refuge in the secluded castle of a feeble man and his wife; however, under the point of a gun, nothing is what it seems.

Movie details

Cul-de-sac

“Sometimes there’s nothing left to do but laugh!”

1966 Thriller · Comedy · Crime 1h 52m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

On the run and in search of help, two wounded gangsters find refuge in the secluded castle of a feeble man and his wife; however, under the point of a gun, nothing is what it seems.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cul-de-sac?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Roman Polanski

Written by

Gérard Brach · Roman Polanski

Lionel Stander

Lionel Stander

Richard

Donald Pleasence

Donald Pleasence

George

Françoise Dorléac

Françoise Dorléac

Teresa

Jack MacGowran

Jack MacGowran

Albie

Iain Quarrier

Iain Quarrier

Christopher

Jacqueline Bisset

Jacqueline Bisset

Jacqueline

Renée Houston

Renée Houston

Christopher's Mother

Court is in session

Put Cul-de-sac on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.