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Double Indemnity

Double Indemnity

Crime · Thriller · 1944

An insurance representative is seduced by a dissatisfied housewife into a scheme of insurance fraud and murder that arouses the suspicion of his colleague, a claims investigator.

Movie details

Double Indemnity

“It's love and murder at first sight!”

1944 Crime · Thriller 1h 47m

Critical arithmetic

The consensus, allegedly.

IMDb

8.3 / 10

176.8K votes

Rotten Tomatoes

97 %

Tomatometer

Metacritic

95 / 100

Metascore

TMDB

8.1 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

An insurance representative is seduced by a dissatisfied housewife into a scheme of insurance fraud and murder that arouses the suspicion of his colleague, a claims investigator.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Double Indemnity?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Nightfall

Nightfall

Crime · 1956

An innocent man turns fugitive as he reconstructs events that implicate him for a murder and robbery he did not commit.

Dial M for Murder

Dial M for Murder

Thriller · 1954

When her American lover visits London, a wealthy woman’s jealous husband hatches a plan to murder her and inherit her fortune.

This Gun for Hire

This Gun for Hire

Crime · 1942

Sadistic killer-for-hire Philip Raven becomes enraged when his latest job is paid off in marked bills. Vowing to track down his double-crossing boss, nightclub executive Gates, Raven sits beside Gates' lovely new employee, Ellen, on a train out of town. Although Ellen is engaged to marry the police lieutenant who's hunting down Raven, she decides to try and set the misguided hit man straight as he hides from the cops and plots his revenge.

The Lady from Shanghai

The Lady from Shanghai

Mystery · 1947

A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.

The Glass Key

The Glass Key

Crime · 1942

A crooked politician finds himself being accused of murder by a gangster from whom he refused help during a re-election campaign.

Family Plot

Family Plot

Comedy · 1976

Spiritualist Blanche Tyler and her cab-driving boyfriend encounter a pair of serial kidnappers while trailing a missing heir in California.

The Sting

The Sting

Comedy · 1973

A novice con man teams up with an acknowledged master to avenge the murder of a mutual friend by pulling off the ultimate big con and swindling a fortune from a big-time mobster.

Conflict

Conflict

Thriller · 1945

Unhappily married Richard Mason concocts a meticulous scheme to kill his shrewish wife so that he'll be free to marry her sister.

The Big Combo

The Big Combo

Drama · 1955

Police Lt. Leonard Diamond vies to bring a clever, well connected, and sadistic gangster to justice all the while obsessing over the gangster's girlfriend.

The Thomas Crown Affair

The Thomas Crown Affair

Crime · 1968

A debonair, adventuresome bank executive believes that he has pulled off the perfect multi-million dollar heist--until he must match wits with an insurance investigator who will do anything to get her man.

Where it lives

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Names above the title

The people responsible.

Directed by

Billy Wilder

Written by

Billy Wilder · Raymond Chandler

Fred MacMurray

Fred MacMurray

Walter Neff

Barbara Stanwyck

Barbara Stanwyck

Phyllis Dietrichson

Edward G. Robinson

Edward G. Robinson

Barton Keyes

Porter Hall

Porter Hall

Mr. Jackson

Jean Heather

Jean Heather

Lola Dietrichson

Tom Powers

Tom Powers

Mr. Dietrichson

Byron Barr

Byron Barr

Nino Zachetti

Court is in session

Put Double Indemnity on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.