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Obsession

Obsession

Thriller · Mystery · Drama · 1976

A wealthy New Orleans businessman becomes obsessed with a young woman who resembles his late wife.

Movie details

Obsession

“A bizarre story of love.”

1976 Thriller · Mystery · Drama 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

A wealthy New Orleans businessman becomes obsessed with a young woman who resembles his late wife.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Obsession?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Mask of Dimitrios

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Appointment with Death

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Emily Boynton, the stepmother to three children, blackmails the family lawyer into destroying a second will of her late husband that would have freed the children from her dominating influence. She takes herself, the children, and her daughter-in-law on holiday to Europe and the Holy Land. At a dig, Emily is found dead and Hercule Poirot investigates.

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The File on Thelma Jordon

The File on Thelma Jordon

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Pushover

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A police detective falls for the bank robber's girlfriend he is supposed to be tailing.

Where it lives

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Names above the title

The people responsible.

Directed by

Brian De Palma

Written by

Paul Schrader · Brian De Palma

Cliff Robertson

Cliff Robertson

Michael Courtland

Geneviève Bujold

Geneviève Bujold

Elizabeth Courtland / Sandra Portinari

John Lithgow

John Lithgow

Robert Lasalle

S

Sylvia Kuumba Williams

Maid

W

Wanda Blackman

Amy Courtland

J. Patrick McNamara

J. Patrick McNamara

Third Kidnapper

S

Stanley J. Reyes

Inspector Brie

Court is in session

Put Obsession on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Auteur Devotee

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.