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The Big Steal

The Big Steal

Crime · Thriller · 1949

Army Lieutenant Halliday, accused of stealing the Army payroll, pursues the real thief on a frantic chase through Mexico aided by the thief's ex-girlfriend and is in turn being chased by his accuser, Capt. Blake.

Movie details

The Big Steal

“Mitchum is HOT! - HOT...off location in the heart of Mexico...HOT...after a girl with a million-dollar figure!...HOT...at the nation's boxoffices...HOT...in his newest picture!”

1949 Crime · Thriller 1h 11m

Critical arithmetic

The consensus, allegedly.

IMDb

6.9 / 10

5.4K votes

Rotten Tomatoes

67 %

Tomatometer

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Army Lieutenant Halliday, accused of stealing the Army payroll, pursues the real thief on a frantic chase through Mexico aided by the thief's ex-girlfriend and is in turn being chased by his accuser, Capt. Blake.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Big Steal?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Don Siegel

Written by

Daniel Mainwaring · Gerald Drayson Adams · Richard Wormser

Robert Mitchum

Robert Mitchum

Lt. Duke Halliday

Jane Greer

Jane Greer

Joan 'Chiquita' Graham

William Bendix

William Bendix

Capt. Vincent Blake

Patric Knowles

Patric Knowles

Jim Fiske

Ramon Novarro

Ramon Novarro

Inspector General Ortega

Don Alvarado

Don Alvarado

Lt. Ruiz

John Qualen

John Qualen

Julius Seton

Court is in session

Put The Big Steal on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Sentimental Softie

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.