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He Ran All the Way

He Ran All the Way

Thriller · Crime · 1951

A crook on the run hides out in an innocent girl's apartment.

Movie details

He Ran All the Way

“DYNAMITE hits the screen with their kind of love!”

1951 Thriller · Crime 1h 17m

Critical arithmetic

One number, for now.

TMDB

7.2 / 10

Community rating

A crook on the run hides out in an innocent girl's apartment.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over He Ran All the Way?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Kiss of Death

Kiss of Death

Crime · 1947

An ex-con trying to go straight must face a crazed criminal out for revenge.

Woman on the Run

Woman on the Run

Thriller · 1950

Frank Johnson, a sole witness to a gangland murder, goes into hiding and is trailed by Police Inspector Ferris, on the theory that Frank is trying to escape from possible retaliation. Frank's wife, Eleanor, suspects he is actually running away from their unsuccessful marriage. Aided by a newspaperman, Danny Leggett, Eleanor sets out to locate her husband. The killer is also looking for him, and keeps close tabs on Eleanor.

Killer's Kiss

Killer's Kiss

Thriller · 1955

Davey Gordon, a New York City boxer at the end of his career, falls for dancer Gloria Price. However, their budding relationship is interrupted by Gloria's violent boss, Vincent Rapallo, who has eyes for Gloria. The two decide to skip town, but before they can, Vincent and his thugs abduct Gloria, and Davey is forced to search for her among the most squalid corners of the city, with his enemy hiding in the shadows.

They Made Me a Fugitive

They Made Me a Fugitive

Drama · 1947

After being framed for a policeman's murder, a criminal escapes prison and sets out for revenge.

Brute Force

Brute Force

Crime · 1947

Timeworn Joe Collins and his fellow inmates live under the heavy thumb of the sadistic, power-tripping guard Captain Munsey. Only Collins' dreams of escape keep him going, but how can he possibly bust out of Munsey's chains?

The Man Who Cheated Himself

The Man Who Cheated Himself

Crime · 1950

A veteran homicide detective who has witnessed his socialite girlfriend kill her husband sees his inexperienced brother assigned to the case.

The Seven-Ups

The Seven-Ups

Thriller · 1973

A tough detective who is part of an elite New York City unit is trying to find out who killed his partner, but uncovers a plot to kidnap mobsters for money.

The Lady from Shanghai

The Lady from Shanghai

Mystery · 1947

A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.

The Nanny

The Nanny

Drama · 1965

Nanny, a London family's live-in maid, brings morbid 10-year-old Joey back from the psychiatric ward he's been in for two years, since the death of his younger sister. Joey refuses to eat any food Nanny's prepared or take a bath with her in the room. He also demands to sleep in a room with a lock. Joey's parents -- workaholic Bill and neurotic Virgie -- are sure Joey is disturbed, but he may have good reason to be terrified of Nanny.

Indemnity

Indemnity

Action · 2022

An ex-fireman with PTSD goes on the run when accused of a crime he doesn't even remember committing, leading him down a rabbit hole of conspiracy to the highest degree.

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Names above the title

The people responsible.

Directed by

John Berry

Written by

Dalton Trumbo · Hugo Butler · Guy Endore

John Garfield

John Garfield

Nick Robey

Shelley Winters

Shelley Winters

Peggy Dobbs

Wallace Ford

Wallace Ford

Fred Dobbs

Selena Royle

Selena Royle

Mrs. Dobbs

Gladys George

Gladys George

Mrs. Robey

Norman Lloyd

Norman Lloyd

Al Molin

Robert Hyatt

Robert Hyatt

Tommy Dobbs (as Bobby Hyatt)

Court is in session

Put He Ran All the Way on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.