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The Prince & Me 2: The Royal Wedding

The Prince & Me 2: The Royal Wedding

Romance · Comedy · Family · 2006

With just weeks before their royal wedding, Paige and Edvard find their relationship and the Danish monarchy in jeopardy when an old law is brought to light, stating that an unmarried heir to the throne may marry only a woman of noble blood or else he must relinquish his crown.

Movie details

The Prince & Me 2: The Royal Wedding

2006 Romance · Comedy · Family 1h 36m

Critical arithmetic

The consensus, allegedly.

IMDb

4.4 / 10

4.9K votes

TMDB

5.8 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

With just weeks before their royal wedding, Paige and Edvard find their relationship and the Danish monarchy in jeopardy when an old law is brought to light, stating that an unmarried heir to the throne may marry only a woman of noble blood or else he must relinquish his crown.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Prince & Me 2: The Royal Wedding?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Prince & Me 4: The Elephant Adventure

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Names above the title

The people responsible.

Directed by

Catherine Cyran

Written by

Allison Robinson

Luke Mably

Luke Mably

Prince Edvard

Kam Heskin

Kam Heskin

Paige Morgan

Maryam D'Abo

Maryam D'Abo

Queen Rosalind

Clemency Burton-Hill

Clemency Burton-Hill

Princess Kirsten

Jonathan Firth

Jonathan Firth

Soren

Joshua Rubin

Joshua Rubin

Henrick

Jim Holt

Jim Holt

Prince Albert

Court is in session

Put The Prince & Me 2: The Royal Wedding on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.