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A Christmas Prince: The Royal Wedding

A Christmas Prince: The Royal Wedding

Romance · Comedy · TV Movie · 2018

A year after Amber helped Richard secure the crown. The two are set to tie the knot in a royal Christmas wedding — but their plans are jeopardized when Amber finds herself second-guessing whether or not she's cut out to be queen, and Richard is faced with a political crisis that threatens to tarnish not only the holiday season but the future of the kingdom.

Movie details

A Christmas Prince: The Royal Wedding

2018 Romance · Comedy · TV Movie 1h 32m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

A year after Amber helped Richard secure the crown. The two are set to tie the knot in a royal Christmas wedding — but their plans are jeopardized when Amber finds herself second-guessing whether or not she's cut out to be queen, and Richard is faced with a political crisis that threatens to tarnish not only the holiday season but the future of the kingdom.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Christmas Prince: The Royal Wedding?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Schultz

Written by

Nate Atkins

Rose McIver

Rose McIver

Amber Moore

Ben Lamb

Ben Lamb

Richard Charlton

Alice Krige

Alice Krige

Helena Charlton

Honor Kneafsey

Honor Kneafsey

Emily Charlton

Theo Devaney

Theo Devaney

Simon Duxbury

Sarah Douglas

Sarah Douglas

Averill

John Guerrasio

John Guerrasio

Rudy Moore

Court is in session

Put A Christmas Prince: The Royal Wedding on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.