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With Six You Get Eggroll

With Six You Get Eggroll

Comedy · Romance · Family · 1968

Abby McClure, a widow with three sons, and Jake Iverson, a widower with a teenage daughter, begin dating and eventually decide to get married. But they're not prepared for the hostile reactions from their children, who are not very excited about the new union between the two families.

Movie details

With Six You Get Eggroll

“The return of the happy ending.”

1968 Comedy · Romance · Family 1h 35m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Abby McClure, a widow with three sons, and Jake Iverson, a widower with a teenage daughter, begin dating and eventually decide to get married. But they're not prepared for the hostile reactions from their children, who are not very excited about the new union between the two families.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over With Six You Get Eggroll?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Howard Morris

Written by

Gwen Bagni · Paul Dubov · Harvey Bullock · R.S. Allen

Doris Day

Doris Day

Abby McClure

Brian Keith

Brian Keith

Jake Iverson

Pat Carroll

Pat Carroll

Maxine Scott

Barbara Hershey

Barbara Hershey

Stacy Iverson

George Carlin

George Carlin

Herbie Fleck

Alice Ghostley

Alice Ghostley

Molly

John Findlater

John Findlater

Flip McClure

Court is in session

Put With Six You Get Eggroll on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.