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Please Don't Eat the Daisies

Please Don't Eat the Daisies

Comedy · Family · Romance · 1960

Drama critic Larry Mackay, his wife Kate and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kate settles into suburban life, Larry continues to enjoy the theater and party scene of New York.

Movie details

Please Don't Eat the Daisies

“The Uproarious Movie From The Big Best-Seller!”

1960 Comedy · Family · Romance 1h 52m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Drama critic Larry Mackay, his wife Kate and their four sons move from their crowded Manhattan apartment to an old house in the country. While housewife Kate settles into suburban life, Larry continues to enjoy the theater and party scene of New York.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Please Don't Eat the Daisies?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Charles Walters

Written by

Isobel Lennart

Doris Day

Doris Day

Kate Mackay

David Niven

David Niven

Larry Mackay

Janis Paige

Janis Paige

Deborah Vaughn

Spring Byington

Spring Byington

Suzie Robinson

Richard Haydn

Richard Haydn

Alfred North

Patsy Kelly

Patsy Kelly

Maggie

Jack Weston

Jack Weston

Joe Positano

Court is in session

Put Please Don't Eat the Daisies on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.