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Someone Like You...

Someone Like You...

Comedy · Romance · 2001

Jane Goodale has everything going for her. She's a producer on a popular daytime talk show, and is in a hot romance with the show's dashing executive producer Ray. But when the relationship goes terribly awry, Jane begins an extensive study of the male animal, including her womanizing roommate Eddie. Jane puts her studies and romantic misadventure to use as a pseudonymous sex columnist -- and becomes a sensation.

Movie details

Someone Like You...

“The story about the one that got away and the one she never saw coming.”

2001 Comedy · Romance 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Jane Goodale has everything going for her. She's a producer on a popular daytime talk show, and is in a hot romance with the show's dashing executive producer Ray. But when the relationship goes terribly awry, Jane begins an extensive study of the male animal, including her womanizing roommate Eddie. Jane puts her studies and romantic misadventure to use as a pseudonymous sex columnist -- and becomes a sensation.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Someone Like You...?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Tony Goldwyn

Written by

Elizabeth Chandler

Ashley Judd

Ashley Judd

Jane Goodale

Greg Kinnear

Greg Kinnear

Ray Brown

Hugh Jackman

Hugh Jackman

Eddie Alden

Marisa Tomei

Marisa Tomei

Liz

Ellen Barkin

Ellen Barkin

Diane Roberts

Catherine Dent

Catherine Dent

Alice, Jane's Sister

Laura Regan

Laura Regan

Evelyn

Court is in session

Put Someone Like You... on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.