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The Prince & Me

The Prince & Me

Comedy · Romance · 2004

A fairy tale love-story about pre-med student Paige who falls in love with a Danish Prince "Eddie" who refused to follow the traditions of his parents and has come to the US to quench his thirst for rebellion. Paige and Edward come from two different worlds, but there is an undeniable attraction between them.

Movie details

The Prince & Me

“Finding your inner princess can be such a royal pain.”

2004 Comedy · Romance 1h 51m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

A fairy tale love-story about pre-med student Paige who falls in love with a Danish Prince "Eddie" who refused to follow the traditions of his parents and has come to the US to quench his thirst for rebellion. Paige and Edward come from two different worlds, but there is an undeniable attraction between them.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Prince & Me?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Martha Coolidge

Written by

Jack Amiel · Michael Begler · Katherine Fugate · Mark Amin

Julia Stiles

Julia Stiles

Paige Morgan

Luke Mably

Luke Mably

Prince Edvard

Ben Miller

Ben Miller

Soren

Miranda Richardson

Miranda Richardson

Queen Rosalind

James Fox

James Fox

King Haraald

Alberta Watson

Alberta Watson

Amy Morgan

John Bourgeois

John Bourgeois

Ben Morgan

Court is in session

Put The Prince & Me on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.