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The Braid

The Braid

Drama · Comedy · 2023

India. Smita is an untouchable. She dreams of seeing her daughter escape her miserable condition and enter school. Italy. Giulia works in her father’s workshop. When he has an accident, she discovers that the family business is ruined. Canada. Sarah, a successful lawyer, is about to be promoted to the head of her firm when she learns that she is ill. Three lives, three women, three continents. Three battles to fight. Although they don’t know each other, Smita, Giulia and Sarah are unknowingly linked by their most intimate and singular bond.

Movie details

The Braid

2023 Drama · Comedy 2h 1m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

India. Smita is an untouchable. She dreams of seeing her daughter escape her miserable condition and enter school. Italy. Giulia works in her father’s workshop. When he has an accident, she discovers that the family business is ruined. Canada. Sarah, a successful lawyer, is about to be promoted to the head of her firm when she learns that she is ill. Three lives, three women, three continents. Three battles to fight. Although they don’t know each other, Smita, Giulia and Sarah are unknowingly linked by their most intimate and singular bond.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Braid?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Laetitia Colombani

Written by

Laetitia Colombani

Kim Raver

Kim Raver

Sarah

Fotinì Peluso

Fotinì Peluso

Giulia

Mia Maelzer

Mia Maelzer

Smita

Katharine King So

Katharine King So

Inès

Avi Nash

Avi Nash

Kamal

Sarah Abbott

Sarah Abbott

Hannah

Lydia Zadel

Lydia Zadel

Maeva

Court is in session

Put The Braid on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.