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The Trip to Italy

The Trip to Italy

Comedy · Drama · 2014

Years after their successful restaurant review tour of Northern England, Steve Coogan and Rob Brydon are commissioned for a new tour in Italy.

Movie details

The Trip to Italy

“Anyone for seconds?”

2014 Comedy · Drama 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Years after their successful restaurant review tour of Northern England, Steve Coogan and Rob Brydon are commissioned for a new tour in Italy.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Trip to Italy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Trip

The Trip

Comedy · 2011

When Steve Coogan is asked by The Observer to tour the country's finest restaurants, he envisions it as the perfect getaway with his beautiful girlfriend. But, when she backs out on him, he has no one to accompany him but his best friend and source of eternal aggravation, Rob Brydon.

TalhotBlond

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Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leads to the murder of an innocent man.

Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Michael Winterbottom

Written by

Michael Winterbottom

Steve Coogan

Steve Coogan

Steve

Rob Brydon

Rob Brydon

Rob

Rosie Fellner

Rosie Fellner

Lucy

Claire Keelan

Claire Keelan

Emma

Marta Barrio

Marta Barrio

Yolanda

T

Timothy Leach

Joe

Ronni Ancona

Ronni Ancona

Donna

Court is in session

Put The Trip to Italy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.