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The Trip

The Trip

Comedy · Drama · 2011

When Steve Coogan is asked by The Observer to tour the country's finest restaurants, he envisions it as the perfect getaway with his beautiful girlfriend. But, when she backs out on him, he has no one to accompany him but his best friend and source of eternal aggravation, Rob Brydon.

Movie details

The Trip

“Eat, drink and try not to kill each other”

2011 Comedy · Drama 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

When Steve Coogan is asked by The Observer to tour the country's finest restaurants, he envisions it as the perfect getaway with his beautiful girlfriend. But, when she backs out on him, he has no one to accompany him but his best friend and source of eternal aggravation, Rob Brydon.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Trip?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Michael Winterbottom

Written by

Michael Winterbottom

Steve Coogan

Steve Coogan

Steve Coogan

Rob Brydon

Rob Brydon

Rob Brydon

Claire Keelan

Claire Keelan

Emma

Margo Stilley

Margo Stilley

Mischa

Paul Popplewell

Paul Popplewell

Paul

Rebecca Johnson

Rebecca Johnson

Sally

Dolya Gavanski

Dolya Gavanski

Magda

Court is in session

Put The Trip on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.