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My One and Only

My One and Only

Comedy · Drama · 2009

A mother takes her two sons on an unusual road trip from New York to Pittsburgh, St. Louis and eventually Hollywood in her quest to find a man to take care of them all.

Movie details

My One and Only

2009 Comedy · Drama 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

A mother takes her two sons on an unusual road trip from New York to Pittsburgh, St. Louis and eventually Hollywood in her quest to find a man to take care of them all.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over My One and Only?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Ezra

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My Own Love Song

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The Audrey Hepburn Story

The Audrey Hepburn Story

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The film spans from Hepburn's early childhood to the 1950s which details her life as a Dutch ballerina, coming to grips with her parents' divorce, and enduring life in the Nazi-occupied Netherlands during World War II. She then settles in the U.S. where she succeeds in making it big as a movie actress, in such movies as Breakfast at Tiffany's.

Where it lives

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Names above the title

The people responsible.

Directed by

Richard Loncraine

Written by

Charlie Peters

Renée Zellweger

Renée Zellweger

Anne Deveraux

Logan Lerman

Logan Lerman

George Devereaux

Kevin Bacon

Kevin Bacon

Dan Devereaux

Troy Garity

Troy Garity

Becker

David Koechner

David Koechner

Bill Massey

Eric McCormack

Eric McCormack

Charlie

Chris Noth

Chris Noth

Dr. Harlan Williams

Court is in session

Put My One and Only on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.