The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
TalhotBlond
Drama · TV Movie · 2012
Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leads to the murder of an innocent man.
Movie details
TalhotBlond
“Fantasy kills”
2012 Drama · TV Movie 1h 28m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leads to the murder of an innocent man.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over TalhotBlond?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Names above the title
The people responsible.
Cast & crew
Directed by
Courteney Cox
Written by
Trent Haaga
Garret Dillahunt
Thomas Montgomery
Brando Eaton
Brian Barrett
Laura San Giacomo
Carol Montgomery
Molly Hagan
Beth Brooks
Taylor Geare
Amy
Jadin Gould
Stacey
Ashley Hinshaw
Katie
Court is in session
Put TalhotBlond on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Adrenaline Seeker
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.