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A Guy Thing

A Guy Thing

Comedy · Romance · 2003

Paul Morse is a good guy. When his friends throw him a wild bachelor party, he just wants to keep his conscience clean -- which is why he's shocked when he wakes up in bed with a beautiful girl named Becky and can't remember the night before. Desperate to keep his fiancée, Karen, from finding out what may or may not be the truth, he tells her a teensy lie. Soon his lies are spiraling out of control and his life is a series of comical misunderstandings.

Movie details

A Guy Thing

“He finally found the perfect girl(s).”

2003 Comedy · Romance 1h 41m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Paul Morse is a good guy. When his friends throw him a wild bachelor party, he just wants to keep his conscience clean -- which is why he's shocked when he wakes up in bed with a beautiful girl named Becky and can't remember the night before. Desperate to keep his fiancée, Karen, from finding out what may or may not be the truth, he tells her a teensy lie. Soon his lies are spiraling out of control and his life is a series of comical misunderstandings.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Guy Thing?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Chris Koch

Written by

Matt Tarses · Pete Schwaba · Greg Glienna · Bill Wrubel

Jason Lee

Jason Lee

Paul Morse

Selma Blair

Selma Blair

Karen Cooper

Julia Stiles

Julia Stiles

Becky Jackson

Shawn Hatosy

Shawn Hatosy

Jim

Lochlyn Munro

Lochlyn Munro

Ray Donovan

James Brolin

James Brolin

Ken Cooper

Diana Scarwid

Diana Scarwid

Sandra Cooper

Court is in session

Put A Guy Thing on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.