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The Wrong Missy

The Wrong Missy

Comedy · Romance · 2020

A guy meets the woman of his dreams and invites her to his company's corporate retreat, but realizes he sent the invite to the wrong person.

Movie details

The Wrong Missy

“There’s no untexting her now.”

2020 Comedy · Romance 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

A guy meets the woman of his dreams and invites her to his company's corporate retreat, but realizes he sent the invite to the wrong person.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Wrong Missy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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New York City is full of lonely hearts seeking the right match, and what Alice, Robin, Lucy, Meg, Tom and David all have in common is the need to learn how to be single in a world filled with ever-evolving definitions of love.

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Where it lives

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Names above the title

The people responsible.

Directed by

Tyler Spindel

Written by

Chris Pappas · Kevin Barnett

David Spade

David Spade

Tim Morris

Lauren Lapkus

Lauren Lapkus

Missy

Nick Swardson

Nick Swardson

Nate

Geoff Pierson

Geoff Pierson

Jack Winstone

Jackie Sandler

Jackie Sandler

Jess

Molly Sims

Molly Sims

Melissa

Sarah Chalke

Sarah Chalke

Julia

Court is in session

Put The Wrong Missy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.