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Romance & Cigarettes

Romance & Cigarettes

Comedy · Music · Romance · 2006

Ironworker Nick lives with his wife, Kitty, and three daughters. When he meets a significantly younger woman, Tula, he starts an affair with her, much to the chagrin of his wife, and his life is thrown into upheaval. Kitty kicks Nick out of the house, and he is forced to make some difficult decisions.

Movie details

Romance & Cigarettes

2006 Comedy · Music · Romance 1h 45m

Critical arithmetic

The consensus, allegedly.

IMDb

6.1 / 10

13.6K votes

Rotten Tomatoes

53 %

Tomatometer

Metacritic

55 / 100

Metascore

TMDB

6.1 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Ironworker Nick lives with his wife, Kitty, and three daughters. When he meets a significantly younger woman, Tula, he starts an affair with her, much to the chagrin of his wife, and his life is thrown into upheaval. Kitty kicks Nick out of the house, and he is forced to make some difficult decisions.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Romance & Cigarettes?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

John Turturro

Written by

John Turturro

James Gandolfini

James Gandolfini

Nick Murder

Susan Sarandon

Susan Sarandon

Kitty Kane

Kate Winslet

Kate Winslet

Tula

Steve Buscemi

Steve Buscemi

Angelo

Bobby Cannavale

Bobby Cannavale

Fryburg

Mandy Moore

Mandy Moore

Baby

Mary-Louise Parker

Mary-Louise Parker

Constance

Court is in session

Put Romance & Cigarettes on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.