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Sleeping with Other People

Sleeping with Other People

Comedy · Romance · 2015

Can two serial cheaters get a second chance at love? After a one-night stand in college, New Yorkers Lainey and Jake meet by chance twelve years later and discover they each have the same problem: because of their monogamy-challenged ways, neither can maintain a relationship. Determined to stay friends despite their mutual attraction, they make a pact to keep it platonic, a deal that proves easier said than done.

Movie details

Sleeping with Other People

“A romantic comedy with commitment issues.”

2015 Comedy · Romance 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Can two serial cheaters get a second chance at love? After a one-night stand in college, New Yorkers Lainey and Jake meet by chance twelve years later and discover they each have the same problem: because of their monogamy-challenged ways, neither can maintain a relationship. Determined to stay friends despite their mutual attraction, they make a pact to keep it platonic, a deal that proves easier said than done.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Sleeping with Other People?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Leslye Headland

Written by

Leslye Headland

Jason Sudeikis

Jason Sudeikis

Jake Harper

Alison Brie

Alison Brie

Lainey Dalton

Adam Scott

Adam Scott

Matthew Sobvechik

Jason Mantzoukas

Jason Mantzoukas

Xander

Natasha Lyonne

Natasha Lyonne

Kara

Adam Brody

Adam Brody

Sam

Amanda Peet

Amanda Peet

Paula

Court is in session

Put Sleeping with Other People on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.