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She's Gotta Have It

She's Gotta Have It

Comedy · Romance · 1986

The story of Nola Darling's simultaneous sexual relationships with three different men is told by her and by her partners and other friends. All three men wanted her to commit solely to them; Nola resists being "owned" by a single partner.

Movie details

She's Gotta Have It

“A seriously sexy comedy.”

1986 Comedy · Romance 1h 24m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

The story of Nola Darling's simultaneous sexual relationships with three different men is told by her and by her partners and other friends. All three men wanted her to commit solely to them; Nola resists being "owned" by a single partner.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over She's Gotta Have It?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Spike Lee

Written by

Spike Lee

Tracy Camilla Johns

Tracy Camilla Johns

Nola Darling

Tommy Redmond Hicks

Tommy Redmond Hicks

Jamie Overstreet

John Canada Terrell

John Canada Terrell

Greer Childs

Spike Lee

Spike Lee

Mars Blackmon

Raye Dowell

Raye Dowell

Opal Gilstrap

Joie Lee

Joie Lee

Clorinda Bradford

S. Epatha Merkerson

S. Epatha Merkerson

Doctor Jamison

Court is in session

Put She's Gotta Have It on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.