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Coffee and Cigarettes

Coffee and Cigarettes

Comedy · Drama · 2004

An anthology of eleven vignettes featuring star-studded casts of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.

Movie details

Coffee and Cigarettes

2004 Comedy · Drama 1h 37m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

An anthology of eleven vignettes featuring star-studded casts of extremely unique individuals who all share the common activities of conversing while drinking coffee and smoking cigarettes.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Coffee and Cigarettes?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jim Jarmusch

Written by

Jim Jarmusch

Roberto Benigni

Roberto Benigni

Roberto (segment "Strange to Meet You")

Steven Wright

Steven Wright

Steven (segment "Strange to Meet You")

Joie Lee

Joie Lee

Good Twin (segment "Twins")

Cinqué Lee

Cinqué Lee

Evil Twin (segment "Twins") / Kitchen Guy (segment "Jack...")

Steve Buscemi

Steve Buscemi

Danny (segment "Twins")

Iggy Pop

Iggy Pop

Iggy (segment "Somewhere in California")

Tom Waits

Tom Waits

Tom (segment "Somewhere in California")

Court is in session

Put Coffee and Cigarettes on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.