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The Wonderful Story of Henry Sugar and Three More

The Wonderful Story of Henry Sugar and Three More

Comedy · Drama · Fantasy · 2024

Four tales unfold in Wes Anderson's anthology of short films adapted from Roald Dahl's beloved stories, "The Wonderful Story of Henry Sugar", "The Swan", "The Rat Catcher", and "Poison."

Movie details

The Wonderful Story of Henry Sugar and Three More

2024 Comedy · Drama · Fantasy 1h 29m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Four tales unfold in Wes Anderson's anthology of short films adapted from Roald Dahl's beloved stories, "The Wonderful Story of Henry Sugar", "The Swan", "The Rat Catcher", and "Poison."

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Wonderful Story of Henry Sugar and Three More?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Wes Anderson

Written by

Wes Anderson

Benedict Cumberbatch

Benedict Cumberbatch

Henry Sugar / Max Engelman / Harry (archive footage)

Dev Patel

Dev Patel

Dr. Chatterjee / John Winston / Woods (archive footage)

Ben Kingsley

Ben Kingsley

Imdad Khan / The Dealer / Dr. Ganderbai (archive footage)

Richard Ayoade

Richard Ayoade

Dr. Marshall / The Great Yogi / Various (archive footage)

Ralph Fiennes

Ralph Fiennes

Roald Dahl / The Policeman / Rat Man (archive footage)

Rupert Friend

Rupert Friend

Narrator / Claud (archive footage)

A

Asa Jennings

Peter Watson (archive footage)

Court is in session

Put The Wonderful Story of Henry Sugar and Three More on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.