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Paper Man

Paper Man

Comedy · Drama · 2009

A coming-of-middle-age comedy that chronicles the unlikely friendship between failed author Richard Dunne and a Long Island teen who teaches him a thing or two about growing up, all under the disapproving eye of his long-suffering wife and his imaginary Superhero friend.

Movie details

Paper Man

“A little imagination goes a long way”

2009 Comedy · Drama 1h 50m

Critical arithmetic

The consensus, allegedly.

IMDb

6.5 / 10

20.7K votes

Rotten Tomatoes

33 %

Tomatometer

Metacritic

37 / 100

Metascore

TMDB

6.3 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A coming-of-middle-age comedy that chronicles the unlikely friendship between failed author Richard Dunne and a Long Island teen who teaches him a thing or two about growing up, all under the disapproving eye of his long-suffering wife and his imaginary Superhero friend.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Paper Man?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Passing

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Kieran Mulroney · Michele Mulroney

Written by

Kieran Mulroney · Michele Mulroney

Jeff Daniels

Jeff Daniels

Richard Dunn

Emma Stone

Emma Stone

Abby

Ryan Reynolds

Ryan Reynolds

Captain Excellent

Lisa Kudrow

Lisa Kudrow

Claire Dunn

Kieran Culkin

Kieran Culkin

Christopher

Hunter Parrish

Hunter Parrish

Bryce

Arabella Field

Arabella Field

Lucy

Court is in session

Put Paper Man on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.