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To Every You I've Loved Before

To Every You I've Loved Before

Animation · Romance · Science Fiction · 2022

While struggling to make friends after his parents’ divorce, Koyomi Takasaki meets Kazune Takigawa, but apparently, they already have. Kazune reveals that she’s from World Line 85, an alternate universe in which she and Koyomi are lovers. But in a reality where moving between dimensions is natural, could Koyomi be the one from another world?

Movie details

To Every You I've Loved Before

2022 Animation · Romance · Science Fiction 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

While struggling to make friends after his parents’ divorce, Koyomi Takasaki meets Kazune Takigawa, but apparently, they already have. Kazune reveals that she’s from World Line 85, an alternate universe in which she and Koyomi are lovers. But in a reality where moving between dimensions is natural, could Koyomi be the one from another world?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over To Every You I've Loved Before?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Memories

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Gintama: The Movie

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Where it lives

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Names above the title

The people responsible.

Directed by

Jun Matsumoto

Written by

Riko Sakaguchi

Hio Miyazawa

Hio Miyazawa

Koyomi Takasaki (voice)

Ai Hashimoto

Ai Hashimoto

Kazune Takigawa (voice)

Kimiko Yo

Kimiko Yo

Kazune Takigawa (old woman) (voice)

Maki Mizuno

Maki Mizuno

Itoko Satou (voice)

Tokuma Nishioka

Tokuma Nishioka

Koyomi Takasaki (old man) (voice)

Court is in session

Put To Every You I've Loved Before on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.