“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.

Dragon Ball Z: Super Android 13!
Action · Animation · Science Fiction · 1992
Dr. Gero's Androids #13, #14, and #15 are awakened by the laboratory computers and immediately head to the mall where Goku is shopping. After Goku, Trunks, and Vegeta defeat #14 and #15, #13 absorbs their inner computers and becomes a super being greater than the original three separately were. Now it is up to Goku to stop him.
Dragon Ball Z: Super Android 13!
“Three Androids. Three Saiyans. One Ultimate Battle.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.9 / 10
Community rating
Dr. Gero's Androids #13, #14, and #15 are awakened by the laboratory computers and immediately head to the mall where Goku is shopping. After Goku, Trunks, and Vegeta defeat #14 and #15, #13 absorbs their inner computers and becomes a super being greater than the original three separately were. Now it is up to Goku to stop him.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Dragon Ball Z: Super Android 13!?
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Daisuke Nishio
Written by
Takao Koyama
Put Dragon Ball Z: Super Android 13! on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.






