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Dragon Ball Z: The History of Trunks

Dragon Ball Z: The History of Trunks

Animation · Action · Science Fiction · 1993

It has been thirteen years since the Androids began their killing rampage and Son Gohan is the only person fighting back. He takes Bulma's son Trunks as a student and even gives his own life to save Trunks's. Now Trunks must figure out a way to change this apocalyptic future

Movie details

Dragon Ball Z: The History of Trunks

“This is the story of the future that never was.”

1993 Animation · Action · Science Fiction 48m

Critical arithmetic

One number, for now.

TMDB

7.6 / 10

Community rating

It has been thirteen years since the Androids began their killing rampage and Son Gohan is the only person fighting back. He takes Bulma's son Trunks as a student and even gives his own life to save Trunks's. Now Trunks must figure out a way to change this apocalyptic future

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Dragon Ball Z: The History of Trunks?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Yoshihiro Ueda

Written by

Hiroshi Toda

Masako Nozawa

Masako Nozawa

Son Gokû / Son Gohan (voice)

Mayumi Tanaka

Mayumi Tanaka

Kuririn (voice)

Hiromi Tsuru

Hiromi Tsuru

Bulma / Baby Trunks (voice)

Ryo Horikawa

Ryo Horikawa

Vegeta (voice)

Takeshi Kusao

Takeshi Kusao

Trunks (voice)

Naoko Watanabe

Naoko Watanabe

Chichi / Puar (voice)

Daisuke Gori

Daisuke Gori

Gyûmaô / Umigame (voice)

Court is in session

Put Dragon Ball Z: The History of Trunks on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.