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Fire and Ice

Fire and Ice

Animation · Fantasy · Science Fiction · 1983

The villainous Nekron and his mother, Queen Juliana, plot against the human race from their frigid fortress. Creating mass destruction with huge glaciers, mother and son incur the wrath of Larn, a warrior whose entire village was destroyed by ice. When Nekron's underlings kidnap the beautiful Princess Teegra, Larn sets out to rescue her, assisted by the fierce and enigmatic Darkwolf.

Movie details

Fire and Ice

“It's a magical world you'll never want to leave.”

1983 Animation · Fantasy · Science Fiction 1h 22m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

The villainous Nekron and his mother, Queen Juliana, plot against the human race from their frigid fortress. Creating mass destruction with huge glaciers, mother and son incur the wrath of Larn, a warrior whose entire village was destroyed by ice. When Nekron's underlings kidnap the beautiful Princess Teegra, Larn sets out to rescue her, assisted by the fierce and enigmatic Darkwolf.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Fire and Ice?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Ralph Bakshi

Written by

Gerry Conway · Roy Thomas

R

Randy Norton

Larn

C

Cynthia Leake

Teegra

Steve Sandor

Steve Sandor

Darkwolf

S

Sean Hannon

Nekron

Leo Gordon

Leo Gordon

Jarol

William Ostrander

William Ostrander

Taro / Larn (voice)

E

Eileen O'Neill

Juliana

Court is in session

Put Fire and Ice on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Cool Ironist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.