The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
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House of Whipcord
Horror · 1974
Somewhere in the middle of the English countryside a former judge and a group of former prison warders, including his lover, run their own prison for young women who have not been held properly to account for their crimes. Here they mete out their own form of justice and ensure that the girls never return to their old ways.
Movie details
House of Whipcord
“Only young girls may enter and no one leaves...”
1974 Horror 1h 42m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.0 / 10
Community rating
Somewhere in the middle of the English countryside a former judge and a group of former prison warders, including his lover, run their own prison for young women who have not been held properly to account for their crimes. Here they mete out their own form of justice and ensure that the girls never return to their old ways.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over House of Whipcord?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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The Final
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Where it lives
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Names above the title
The people responsible.
Cast & crew
Directed by
Pete Walker
Written by
David McGillivray · Pete Walker
Barbara Markham
Mrs. Wakehurst
Patrick Barr
Justice Bailey
Ray Brooks
Tony
Ann Michelle
Julia
Karan David
Karen
Sheila Keith
Walker
Penny Irving
Ann-Marie Di Verney
Court is in session
Put House of Whipcord on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.